程寶泓 ，生於癸未歲，籍浙江嘉興，今之丹青妙手也。
Cheng Baohong, born in the year of Guiwei, hails from Jiaxing, Zhejiang, and is a master of contemporary Chinese painting.
程公以寫實之工，擁人文之懷，內觀自省，獨辟蹊徑，運筆於鄉情之樸，著墨於紅妝之旖。於恬淡之趣中捕其靈性，自柔美之象透其深情。寶泓之畫，若其故鄉，淡煙水霧，儒雅之氣沁潤其中，撲面而來，如沐春風。其畫作中，家鄉之美好，人文之關懷，皆深融於筆端，使觀者宛如置身江南，感其溫暖真摯。觀其畫作，生活之細察，思考之深邃，盡顯其中。善自平凡生活中覓其美，以畫筆傳之。其作非唯視覺之享，更情感之共鳴，畫中有濃厚之生活氣息與人情味。
Mr. Cheng employs a realistic technique, imbued with a humanistic spirit. He introspects and forges unique paths, painting with the simplicity of rural scenes and the elegance of vibrant makeup. In the tranquility of simple joys, he captures the essence, and through the beauty of forms, he expresses deep emotions.Baohong's paintings are like his hometown, enveloped in mist and water, with a scholarly air permeating them, giving viewers a refreshing feeling like a spring breeze. His works integrate the beauty of his hometown and humanistic concern, making viewers feel as if they are in Jiangnan, sensing the warmth and sincerity.
賞程寶泓畫作，感其尊傳統之藝術，懷敬愛之心，浸潤浙派筆墨意趣，彌漫書卷人文氣。其融中西之妙理，采眾家之長，拓思維之廣，開眼界之闊，創作理性，思索個性。或嚴謹線條，或沒骨構型，自題材至筆法，由寫實至寫意，爐火純青。其不隨波逐流，不事大作之求，不雕琢張揚，唯忠生活，恪守心靈，故啟藝術創作之遼闊天地。
英雄傲然沙場，美人玉潤江南。於程寶泓之畫作，觀其雙題材並舉，一軍教題材，一江南風情，剛健與柔美，各展風韻，互不遜色。令人嘆服，如此才情，將紛繁題材，信手拈來，酣暢揮灑!此固賴其深厚藝術功力，亦仰仗其豐富人生閱歷。
寶泓畫作，猶如故鄉煙水，儒雅之氣沁入筆端，觀者若臨江南，心感溫暖真摯。其筆下生活細察，思索深邃，平凡中見美，以畫筆傳之。其作非僅視覺享受，尤為情感共鳴。
Observing his paintings, one can see detailed life observations and profound thinking. He finds beauty in ordinary life and conveys it through his brush. His works are not only a visual pleasure but also resonate emotionally, filled with a strong sense of life and humanity.
Admiring Cheng Baohong's paintings, one feels his respect for traditional art and his heartfelt affection, immersed in the aesthetic interest of the Zhejiang school, filled with scholarly and humanistic atmosphere. He integrates the essence of both Eastern and Western techniques, borrows from various masters, broadens his thinking, and expands his vision. His creations are rational and individual. Whether in rigorous lines or freehand shapes, from subject matter to technique, from realism to expressionism, his skills are exceptional. He does not follow trends or seek grandiose works but remains true to life and his inner self, thus opening up a vast world for his artistic creations.
Heroes stand proud on the battlefield, and beauties grace Jiangnan. In Cheng Baohong's paintings, one sees two distinct themes: military life and Jiangnan scenery. The strength and gentleness in his skilled brushwork each have their charm, neither overshadowing the other. One cannot help but admire such talent that effortlessly handles various themes with ease and flair. This is due to his profound artistic skill and rich life experience.Baohong's paintings, like the misty waters of his hometown, exude a scholarly air, making viewers feel as if they are in Jiangnan, warm and sincere. His brush captures life in detail and profound thought, finding beauty in the ordinary and conveying it through his art. His works are not just visual enjoyment but also emotional resonance.
歲在乙巳，程寶泓自美院卒業，應征入伍，歷槍林彈雨之戰事。其不懼身命之危，親赴前線寫生，創革命現實主義傑作無數。畫中將軍赫赫，戰士農民雖無名，皆形象鮮活，樂觀精神，生機勃勃。筆墨寫意與現實摹寫相融，於水墨壯闊背景中，盡顯革命燎原之勢，英雄樂觀神態。
斯時之現實主義創作，奠後日藝術之基，功底深厚。程公以筆魂記時代風雲，畫如戰場詩篇，激蕩人心，銘刻時代精神。其精誠之心，靈動之筆，傳遞壯闊與深情，觀者無不動容。
In the year of Yisi, Cheng Baohong graduated from the Academy of Fine Arts and enlisted in the army, experiencing the turmoil of war. He braved danger to sketch on the front lines, creating numerous revolutionary realist masterpieces. His paintings featured famous generals, unknown soldiers, and farmers, all vividly portrayed with optimism and vitality. The blend of expressive ink and realistic depiction in a grand watercolor background vividly conveyed the revolutionary spirit and the optimistic attitude of heroes.
This period's realist creations laid a solid foundation for his later artistic pursuits. Cheng's works capture the spirit of the era like poems of the battlefield, stirring the heart and engraving the spirit of the times. His sincere dedication and lively brush convey grandeur and deep emotion, moving all who view them.
程寶泓作品欣賞
程寶泓不甘藝術枯竭，決意與時俱進，突破自我。褪戎裝，歸人文。江南水鄉，久藏心底之藝術符號，自然喚醒。小橋流水，青瓦白墻，楊柳依依，鳥雀嚶嚶;美人如玉，煙波似夢，真幻交織之江南煙雨，駐心難舍。程公以精妙之技，描恬靜柔情之江南，發其獨有人文底蘊。其筆下江南，如絕色佳人，質樸涵旖旎，慵懶透詩輝，令人神往。
Cheng Baohong, unwilling to see his art stagnate, decided to progress with the times and break through himself. Shedding his military uniform, he returned to humanism. The artistic symbol of Jiangnan, long buried in his heart, naturally awakened. Small bridges and flowing water, blue tiles and white walls, willows swaying, birds chirping; beauties like jade, misty waves like dreams, the real and the illusory intertwine in the Jiangnan rain, captivating the heart. With his exquisite technique, Cheng depicted a tranquil and tender Jiangnan, revealing its unique humanistic essence. His depiction of Jiangnan is like a beautiful woman in his paintings, simple yet charming, lazy yet poetic, captivating the soul.
筆墨乃國畫之本，不獨視覺形式與技法，更為精神所系。程公筆墨間，匿悠悠才思，不顯山露水。樸實真誠，神化之表達，謂大家手筆。線條生動，韻律節奏兼備，點畫間拙靈相濟，輕重互融，虛實相映，動靜相成，完美統一。其清醇、沖和、寧靜而優美之氣質，尤動人。「清」者，境界也。公之畫，明凈如水洗，輕靈若春風，筆墨間風骨與力量，充溢至美至寬之人文內涵。
Brush and ink are the essence of Chinese painting, not merely visual forms and techniques but spiritual content as well. In Cheng's brushwork, profound thoughts are hidden without overt display. His expressions are sincere and sophisticated, truly the work of a master. His lines are vivid, full of rhythm and cadence. In his brushstrokes, simplicity and elegance, light and heavy, void and solid, movement and stillness achieve perfect harmony. His clear, harmonious, serene, and beautiful temperament is especially moving."Clarity" is a realm. Cheng's paintings have a purity and lightness as if washed by water, revealing the strength and spirit within the brushstrokes, filled with profound humanistic content.
筆墨之妙，融魂入魄，人物畫再現精神之生動沖擊。程公創作，深入靈府，顯人文關懷，成今世楷模。其藝探造詣，於人物畫史，意涵殊勝。一幅幅氣韻流暢，節奏跌宕，民族風範，時代氣息之作，推程公至藝之巔，為國畫添錦繡之筆。
The beauty of brush and ink, when merged with the soul, brings forth the vivid emotional impact of figure painting on the spiritual world. Cheng's creations delve deep into the human soul, highlighting humanistic care, setting a model for contemporary art. His artistic exploration and achievements hold special significance in the history of Chinese figure painting. His fluid and rhythmic, nationally styled, and era-sensed classic works have propelled him to the pinnacle of artistic creation, adding a brilliant stroke to the scroll of our national enterprise development.
